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I always knew there had to be a reason why he tolerated her + her crap backing band. Linda Gail Lewis reveals a detailed kiss & tell on the consummation of their relationship. Van fans will have been amused by the British tabloid press yesterday. Aronowitz ends up praising Taplin for sticking to his guns in the face of everybody. Judging by the boots, the sound wasn’t very good in the end either. Aronowitz naively felt that as the mic for making announcements worked, then the entire sound system had to be OK.
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And the accusations weren’t hurled at “each other” either, as the Robertsonians have often pointed out, but were one-way. That sounds as if Aronowitz is being somewhat Eye in the Pyramid / Paul is Dead / Number of the Beast in retrospect. It would be years later, after hearing the capacity for betrayal in the accusations hurled at each other by Robbie and Levon, that the idea would enter my head that someone for some reason might have been deliberately trying to sabotage Bob’s performance.” Nothing was as important to Robbie as The Band’s sound. Aronowitz approached Robbie to convey the “order”. The Band were refusing to go on until Taplin fixed the sound system and Dylan was going ballistic, “ordering” The Band to go on whether the system worked or not. I think what he implies is bullshit, but as it’s now on record, you may be interested. Second, a long piece by Al Aronowitz on the Isle of Wight show, and in particular the building row between Dylan and Jonathan Taplin and The Band over the sound system. First an excellent interview with Howard Sounes, about the problems of interviewing Rick and Garth in 1999. Isis: this month’s issue (#96) has two fascinating bits. Levon sang Dixie as if the North just burned his house down!įrom .uk (195.82.121.57) Peter Viney Stage Freight, It Makes No Difference and Dixie for BAND Songs. very enjoyable reading.Ĭaravan and Helpless get my nod for non BAND songs better then the original. about half way through the Sounes Dylan book. hopefully Maud sings a little on the upcoming CD too. what could be more fun than visiting Grandchildren. Thanks for posting comments from the Hudsons Lil'. and the power of Levon on Dixie is undeniable. I always liked TLW version of Stage Fright. Just picked up the new Dylan Japanese Import, "Bob Dylan Live 1961-2000. It Makes No Difference on TLW - dubs and all - it's still the best ever! Caravan also kicks Live.įrom 24.68.33.158.on. (24.68.33.158) John D From: Toronto (Scarborough) Such a Night - Live over studio! My nod also goes to the TLW version of The Weight as the best. Guestbook for the Band (24.4.252.87) Brien Sz From: nJ